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Reviews

Review: ‘I Wanna Dance With Somebody,’ By the Numbers

Naomi Ackie stars as pop singer Whitney Houston in the biographical drama, directed by Kasi Lemmons.

Built around impressively recreated performance sequences, I Wanna Dance With Somebody follows well-worn biographical channels as it tells the story of pop singer Whitney Houston (Naomi Ackie). For dedicated fans, that may be enough. 

For the uninitiated, in 1985 Whitney Houston catapulted to the top of the pop music charts, recorded successful albums, starred in successful movies (The Bodyguard, Waiting to Exhale, The Preacher’s Wife, TV’s Cinderella), and then returned to making popular music. During the 90s, she married fellow pop star Bobby Brown (Ashton Sanders). Troubles were never far away, though, and throughout the remainder of her life, the singer was often rumored to have a drug-dependency problem and abuse issues with Brown. 

Written by Anthony McCarten (Bohemian Rhapsody, Darkest Hour, The Theory of Everything), the narrative structure of the film reflects his experience in converting real-life characters and their experience into cinematic form. Empathetic and respectful to a fault, it smacks of an “authorized biography,” acknowledging her darkest moments and periods of tribulation, but only to the degree that emphasizes her vulnerability to stronger personalities. 

For example, Whitney’s longtime friend Robyn (Nafessa Williams) is introduced as a romantic interest, which is quashed by the demands of Whitney’s father that the rising star instead date men in public, hiding her relationship, which then shifts from an intimate friendship to a hidden friendship, which is eventually quashed by a weakening Whitney’s capitulating to the demands of Bobby, her emotionally abusive husband, that she sever relations with Robyn, which she can never quite do. 

According to the film, Whitney always fell victim to other people and their desire to control and/or benefit from her professional career, including her strict mother, professional gospel singer Cissy Houston (Tamara Tunie), who only becomes more encouraging as she sees her child’s success; and her stern and controlling father (Clarke Peters), who lives high on the hog off her success, and never quits his priority of money over family ties. 

Both Robyn and Clive Davis (Stanley Tucci) realize that she needs her with her drug issues as the 90s morph into the new century, though she declines their attempts to help her. Clive Davis is portrayed as one of a few music professionals who surrounded Whitney, recognized her incredible talent, and did what they could to maximize her professional opportunities, yet were ultimately helpless against her own self-destructive impulses, as well as enablers that drew close to her. 

It’s a tragedy, but I Wanna Dance With Somebody does its utmost to put a happy face on a life that was sadly cut short. For now, the memories of a phenomenal voice remain. 

The film opens, only in movie theaters, December 23, 2022, in Dallas, Fort Worth and surrounding cities, via Sony Pictures. For more information about the film, visit the official site. 

Reviews

Review: In ‘Morbius,’ The Darkness Beckons

Jared Leto stars in a Marvel movie adventure, directed by Daniel Espinosa. 

A dark adventure that gets darker as it goes, Morbius flexes its action muscles early and often, telling the story of a brilliant doctor who is desperately searching for a cure to a rare, blood-borne disease. His latest experiment goes disastrously wrong, turning him into a ‘living vampire’ with an insatiable appetite for human blood. 

Scripted by Matt Sazama and Burk Sharpless, a writing team whose credits include Lost in Space, Gods of Egypt and Dracula Untold, based on a Marvel comic-book character, created by Roy Thomas, that first appeared in 1971, Michael Morbius (Jared Leto) is presented as someone whose life was shaped by a rare, disabling medical condition. In his youth, he met Milo (Matt Smith), who suffered from the same disease, but came from a far more privileged background. The two became lifelong friends, and Milo continues to fund Mobius’ medical experiments. 

Lately, Dr. Morbius has been focusing his research on vampire bats, and believes he may have found a cure. He is seriously mistaken, resulting in a disturbing collection of corpses that have all been drained of their blood, save for a sole survivor, Dr. Martine Bancroft (Adria Arjona), Morbius’ colleague and a romantic interest. 

As soon as Milo learns of the Morbius solution, and sees for himself that the ‘solution’ leads to a fantastic, permanent uptick into the superhuman realm for whoever takes it, he ignores Morbius’ pleas for restraint, leading to a series of destructive battles between the two in the skies above New York City. Much blood is shed, amidst an endless array of colorful vapor trails in the night sky. 

Director Daniel Espinosa is a Swedish filmmaker who broke out big with Snabba Cash (2010), established himself in Hollywood with Safe House (2012), and followed that with the European crime-drama Child 44 (2015) and the sci-fi horror Life (2017), the latter of which showed he could take a vaguely familiar premise and turn it into a roundly entertaining thriller.  Taken purely as escapist entertainment, Morbius fits neatly into Espinosa’s filmography. 

The action sequences are well-executed showcases for the visual effects, which consistently divert the eyes, though without engaging much thought beyond the simple command: “See, dog! Fetch!” Jared Leto and Matt Smith are well matched as snarling face pitted against each other; Jared Harris lends his grounded authenticity as a longtime physician; Adria Arjona ably contributes in her character’s various thin roles as ‘doctor’ and ‘romantic interest,’ as well as ‘sensible and caring person.’  

On the big screen, the dark palette looks appropriate for the dark story that is told. We are living in dark days, so it is fitting to see a dark antihero who is doing his best to resist his impulse to do dark things. 

The film opens in Dallas, Fort Worth and surrounding cities on Friday, April 1, via Sony Pictures. For more information about the film, visit the official site.