Taron Egerton stars in a nostalgic film that gradually becomes a thriller.
Who knew falling blocks can be so much fun? And serve as building blocks for a retro cold-war thriller?
The opening scene establishes Henk Rogers (Taron Egerton) in a high-rise office building, making a sales pitch to a Japanese bank executive (Rick Yune) who looks bored as Henk tells what sounds like a slight variation on his usual sales pitch. The difference is that Henk is genuinely enthusiastic about the true potential of what he’s selling.
As Henk makes his pitch, his globe-hopping is dramatized as he narrates his introduction to an instantly-addictive video game at a trade show, followed by his relentless pursuit of the sales rights. Frankly, even though the narrated sequences are handsomely produced and propulsively sown together — Colin Goudie, Ben Mills, and Martin Walsh are credited as film editors — the ceaseless globe-hopping of what appeared to be a video-game origin movie was starting to wear out my patience.
Then, as Henk arrives in Russia, sometime around 1988, director Jon S. Baird slows the pace down. Written by Nick Pink, the opening portion of the film is merely a prelude to what happens to Henk when he seeks the sales rights from the game’s creator, Alexey Pajitnov (Nikita Efremov), stumbling into a hornet’s nest, where Communist Party security officials, the Russian beauracracy, Japanese interests, a software salesman, and Nintendo all compete against each other to acquire the rights to publish a video-game that would become a worldwide smash.
After one viewing, I could not decipher the many layers of legitimate business dealings, as opposed to those cloaked in duplicitiy and criminality. How much of this “inspired by a true story” movie is, in fact, true, and how much is pumped-up artifice?
By the end of the movie, I did not care.
Taron Egerton is very convincing as a good-hearted family man, married to a loving and supportive wife (Ayane Nagabuchi), with multiple adorable children, and doing his very best to pull off a deal to ensure their financial future. He’s the owner of a small software copmany in Japan, where he met his wife, has a working knowledge of the language, and also wants to keep his company viable for the sake of his devoted employees.
Multiple other colorful supporting characters populate the film, which moves at a pace that slowly picks up speed and resembles a video game.
But it’s a good video game, and one that is irresistible.
The film opens Friday, March 24, in select theaters nationwide. In Dallas, it opens at Alamo Drafthouse Lake Highlands. It will be available to stream March 31 on Apple TV+. For more information about the film, visit the official site.