Review: ‘Seeking a Friend for the End of the World’ Disarms the Apocalypse

'Seeking a Friend for the End of the World' (Focus Features)
'Seeking a Friend for the End of the World' (Focus Features)

‘Seeking a Friend for the End of the World’ (Focus Features)

A disarmingly lighthearted, sweet, romantic approach to the Apocalypse is presented in Seeking a Friend for the End of the World, a film that wavers erratically until it settles into an altogether pleasing groove.

To be sure, the tone splashes deeper into a pool of traditional sentimentality as it progresses. And throughout, as the story shifts gears between the dryly amusing and the wistfully romantic, first-time feature director Lorene Scafaria struggles to keep the narrative engine on track, as though she were learning how to drive a manual transmission.

Scafaria’s screenplay, however, shares a comradery with Nick and Norah’s Infinite Playlist, which she also scripted, in that it has a clear ambition to mix tonally-opposite elements in the same sequence. It’s a tricky dance, and though the film is not always as nimble as needed, it builds up a large reservoir of cheerful eccentricity early on, which smooths over the rough patches that develop as it makes its run for the exits.

The end of the world has always been fertile ground for filmmakers looking to make a statement, and Seeking a Friend is no different in that regard; Scafaria wants to Say Something About What’s Truly Important In Life. Its modest bearing, however, suggests sufficient self-knowledge that it’s only One Statement, not The Only Statement, saving the film from a ponderous, santimonious weight that might otherwise cripple it. And it helps that the film’s overriding concern is human-sized, a ground-level view of the varying reactions that might be expected if the date for the end of the world was fixed in stone and known to everyone.

Steve Carell is properly forlorn and despairing as an insurance salesman named Dodge, whose wife flees him on the night they hear the definitive word that a large asteroid will crash on Earth in three weeks, ending life as we know it. In shock, Dodge continues to report to work, as the world around him goes mad and his friends (Connie Britton, Rob Corddry, Patton Oswalt) shuck off all societal conventions and/or try to fix him up with a lady (Melanie Lynskey) so he won’t die alone.

Dodge is too filled with regrets to give into pleasures of the flesh, however, and he finds a fellow traveler in Penny (Keira Knightley), a neighbor who weeps with regret that she will never see her family in England again. A few contrivances later, and the regret-filled couple hit the road, Dodge to reunite with the lost love of his life and Penny to find a private plane that will take her home (the commercial airlines have shut down).

From there, Seeking a Friend becomes a more traditional road movie, allowing for cameos from the likes of William Petersen, Gillian Jacobs, Derek Luke, and others. While the episodic nature solidifies the film’s themes, it’s also in these passages that more conventional notions take hold, leading to a conclusion that was less than satisfying.

But that’s only from my perspective, of course. And even if the film ultimately proves to be less daring than it could have been, Carell and Knightley make for amusing, yes, friendly company as the doomsday clock winds down to zero.

Seeking a Friend for the End of the World opens wide across the Metroplex on Friday, June 22..

About these ads

Review: ‘Safety Not Guaranteed’

Audrey Plaza and Mark Duplass in 'Safety Not Guaranteed' (FilmDistrict) Aubrey Plaza and Mark Duplass in 'Safety Not Guaranteed' (FilmDistrict)
Audrey Plaza and Mark Duplass in 'Safety Not Guaranteed' (FilmDistrict)     Aubrey Plaza and Mark Duplass in 'Safety Not Guaranteed' (FilmDistrict)

Aubrey Plaza and Mark Duplass in ‘Safety Not Guaranteed’ (FilmDistrict)

Everyone carries around the baggage of personal experience. At best, it’s distilled into a handy guidebook, available for reference as needed, and light enough not to weigh down the bearer.

With its references to time-travel, mental instability, the pangs of lost love, and the possibilities of romantic adventure, Safety Not Guaranteed starts by strapping itself down to routine expectations. And if the viewer is familiar with lead actors Aubrey Plaza, Mark Duplass, and Jake Johnson from their other creative endeavors, the combined weight could prove to be a serious drag.

In the genial atmosphere created by writer Derek Connolly and director Colin Trevorrow, however, a strange chemical reaction occurs, and the result is not at all according to formula; the baggage is cut loose and the characters float upward, if not quite into the stratosphere. Safety Not Guaranteed is amiable, lovable, adorable, and winning.

The humor is silly, broad, and varied; mostly it consists of one-liners delivered in a familiar, deadpan rhythm: boom, chicka-chicka boom, seasoned by visual jokes and carefully-observed, well-timed facial reactions. Some of it erupts, no doubt, from familiarity with the performers; if you’ve watched Parks and Recreation and/or New Girl during the past broadcast television season(s), then you’ve been indoctrinated into the sly style of humor practiced by Plaza and Johnson; if you’ve seen any other movie in which Duplass has acted, you can pretty much anticipate his every move.

Perhaps my familiarity with Plaza and Johnson — especiall Plaza, who has blossomed into a more versatile performer in the last year and displayed a wider range on TV than shown here — makes me more susceptible to the humor, which I found to be sly and clever. As someone who is allergic to broad, studio-system comedies that aim at the lowest common denominator, Safety Not Guaranteed is, happily, not that. It’s much smarter, aiming at the heart rather than the belly or the groin.

Darius (Plaza) is an intern for Seattle Magazine who desperately wants a break; Jeff (Johnson) is a complacent staff writer. When an unusual classified ad catches the attention of the magazine’s editor at a pitch meeting, Jeff grabs the out-of-town assignment and requests two interns for assistance. Darius quickly volunteers, as does the prototypical nerdy Amau (Karan Soni).

Soon it’s revealed that Jeff is only interested in the assignment because he wants to reunite with high school love Liz (Jenica Bergere), who lives in town. While he tries to spark up old romantic fires, Darius is left to investigate the individual who advertised for a companion to “go back in time.” When she makes contact with Kenneth Calloway (Duplass), he appears to be a delusional paranoid who works at a grocery store, a basically harmless type who charms her without necessarily meaning to do so, even as he sounds and acts more and more unhinged.

Darius pretends to take Kenneth (and his claims to have built a time machine) seriously so she can get a story for the magazine, but soon finds herself falling for him. Other than the secrets that he harbors, he is an open and honest person, friendly to a point and pretty adorable to someone like Darius, who has built a self-protective shell around herself.

Meanwhile, Jeff pursues Liz with a clear agenda set in his own mind. Most obviously, he wants to time travel in the emotional sense, to go back to a period when the world was simpler and, he and Liz enjoyed a pure love, unhindred by real-life (i.e., adult) responsibilities.

While these emotional currents are swirling quite obviously below the surface — as though the emotional lives of the characters were covered only in a thin layer of transparent material — the story moves forward and the humor keeps flowing in an agreeable manner.

No one hides in Safety Not Guaranteed; not really. The characters plainly lay bare their attributes and flaws to those they care about the most, sometimes without even realizing it, all of which helps to make the film a rousing success.

Safety Not Guaranteed opens today at Angelika Dallas and Cinemark West Plano.

Originally published, in slightly different form, at Twitch. Photos courtesy of FilmDistrict and Big Beach.

Review: Get Him to the Greek

“Your life’s to-do list must be a baffling document.”

Get Him to the Greek begins with an uproariously bad music video starring Aldous Snow (Russell Brand) and his longtime lover Jackie Q (a deliriously skanky Rose Byrne).  So bad is the video with its misbegotten save-the-children-as-self-interest message that it is considered “the worst thing to happen to Africa after war and famine.”  So funny is this opening segment with its rapid-fire visual gags that you have to wonder if the rest of the film can keep that dizzying pace.   The bad news is that Greek ends on a surprisingly sappy note;  the good news is that everything in between is consistently hilarious. Continue reading