Denton’s Thin Line Film Festival Starts Tonight: 11 Days of Docs!

Patricio Guzman's 'Nostalgia for the Light' (Thin Line Film Fest)

Our very own all-documentary film festival — to be fair, Denton deserves the credit — starts tonight. Here’s the article I wrote for Twitch:

North of Dallas, Texas, lies the college town of Denton, where more than 100,000 people go to sleep at night, wondering if Bonnie and Clyde will ever return. The 1967 film version of their lives was partially shot in Denton, where the outlaws once hid out. Nowadays, film buffs who are fascinated by real life stories gravitate toward documentaries, and Denton’s own Thin Line Film Fest has a dandy, 11-day program that’s filled with nothing but documentaries. It’s set to start rolling out tomorrow.

To quote from the press release, the fest kicks off Friday night “with the Texas premiere of Battle for Brooklyn with Director and Producer Suki Hawley in attendance. …

“On Saturday, February 11, 2012 at 12:30 pm at the Square Donut Theater, the film Kaziah the Goat Woman will screen. The film is about a woman (Kaziah) who for the last few years has painted works of fallen soldiers to give to their families. Three paintings for two DFW families, who will be in attendance, will be presented to them during the screening on behalf of the artist.

“On Saturday, February 18, 2012 at 7:00p, Brilliant Life tells the story of Barry Weatherall, a plumber who was completely blinded when a chemical mixture exploded in his face. After years of darkness and depression, he discovers new delight in life through outdoor adventure. Both the film’s director, Marilyn Bright, and star will be in attendance.”

The picture above is from Patricio Guzman’s Nostalgia for the Light, which screens on February 16. The doc, from Chile, has received some great reviews; it “travels 10,000 feet above sea level to the driest place on earth, the Atacama Desert, where atop the mountains astronomers from all over the world gather to observe the stars. The sky is so translucent that it allows them to see right to the boundaries of the universe.” Nostalgia for the Light also received a Honorable Mention from our own Ben Umstead as part of his “Best of 2011″ review.

Now in its fifth year, the festival has been steadily growing, expanding its program over more and more days. I’ve had to beg off from attending again this year, due to personal schedule conflicts, but what I like about the fest is that they don’t program the same films that everyone else is programming. There’s a greater focus on films from around the world, instead of just American-centric docs, which also adds to the variety on tap.

The Thin Line Film Fest is a wonderful example of a local festival that seeks to improve and expand every year. It runs through Monday, February 20, with more than 20 filmmakers scheduled to be in attendance, and deserves to be on your radar.

The Thin Line Film Festival starts tonight at various venues; check the official site for much more information.

About these ads

SXSW 2011: Roundup

SXSW 2011
SXSW 2011

SXSW 2011

Here’s all my coverage of SXSW 2011, wrapped up in one tidy post for your perusal and/or disdain. I’m hoping for the former, because I’m a positive kind of guy.

REVIEWS

SXSW 2011: SOURCE CODE Review (Twitch)

SXSW 2011: LITTLE DEATHS Review (Twitch)

SXSW 2011: LBF Review (Twitch)

SXSW 2011: THE INNKEEPERS Review (Twitch)

SXSW 2011: KILL LIST Review (Twitch)

SXSW 2011: THE DIVIDE Review (Twitch)

SXSW 2011: PHASE 7 Review (Twitch)

SXSW 2011: THE BEAVER Review (Twitch)

‘You Instead’ SXSW Review: Music, Romance and Handcuffs (Cinematical)

INTERVIEWS

SXSW 2011: Sean Hogan and Simon Rumley Talk LITTLE DEATHS (Twitch)

SXSW 2011: Simon Pegg, Nick Frost and Greg Mottola Talk PAUL (Twitch)

FEATURE (OVERVIEW)

SXSW 2011: Reviewing All the Fantastic Midnight Movies (Cinematical)

NEWS

SXSW 2011: Ethereal Short Film COOL BLUE to Debut in MEDIUM COOL (Twitch)

SXSW 2011: IFC Midnight Picks Up KILL LIST (Twitch)

Dallas IFF: Sunday (4/18) – ‘Casino Jack,’ The Big Wrap-Up!

This slideshow requires JavaScript.

Ah, the runner stumbles even in film review.  After what had been an almost perfect week of movie choices at the 2010 Dallas International Film Festival, I found myself wondering what had happened in those final moments, as I closed out my experience with one of the biggest (and most surprising) failures of the fest.

Perhaps I should have known it couldn’t be that good.  DIFF had played out like something from a dream, cinematically:  I had very little foreknowledge of most of the films I saw, yet was absolutely blown away by a large majority, which just doesn’t seem statistically possible.  The few films I felt didn’t cut it were at least well-made.  The science-fiction tale Earthling just didn’t know how to explain away its promising theories, and felt awkward in its execution despite a great sense of unease that recalled Lynch and Cronenberg.  And the grueling you-won’t-go-to-the-prom-with-me-so-I’ll-drill-a-hole-in-your-head horror film The Loved Ones just became so deadening in its relentless monotony that you wished the amusing subplot would have gotten more screen time.

Continue reading

Dallas IFF: Thursday (4/15) – ‘Obselidia’

“With new things becoming old in months instead of years, I just want to slow things down a bit.”

George’s speech and manner make him seem like someone from a different era; that he works as a librarian but spends his days cataloging things that are obsolete might make him seem like a kook.  George is as committed to his “Encyclopedia of Obsolete Things” as someone else might be to writing poetry or maintaining a garden.  Like George, writer/director Diane Bell’s Obselidia meanders quietly, but with a purpose, and ultimately provides a sweetly endearing look at a man who believes “love is obsolete” even though it seems fair to say he’s never experienced it.

Continue reading

Dallas IFF: Wednesday (4/14) – ‘Lemmy’

DIFF begins down the final stretch, and it just gets better every day.

“I’m not qualified to do anything else.”

Greg Olliver and Wes Orshoski’s documentary on Motorhead front man Ian “Lemmy” Kilmister is not so much a fully-realized personal history or detailed portrait as much as an intense love fest.  Lemmy takes a tour of the heavy metal driving force’s more mundane routines – shopping, doing interviews, playing his favorite games at local bars and casinos – before diving into a brief look at former bands he played with and current concert footage.  But most of its runtime is filled with musicians, singers, actors, roadies and fans telling us how great he is and what an influence he’s been.  At 63, Lemmy has outlived most of his friends and continues to provide a raw honesty that blows away nearly everyone else in the business.

Continue reading

Dallas IFF: Tuesday (4/13) – ‘Jean-Michel Basquiat: The Radiant Child’

Director Tamra Davis’ early works may have included music videos and films like Billy Madison and Half-Baked, but it turns out her passion project was always nearby, tucked away in a drawer:  a feature-length interview with her friend, artist Jean-Michel Basquiat.  Just months before his death, Davis filmed the painter in a casual setting, talking with him about his life, influences and his perceptions of the art world.  After his passing, she put the film away and forgot about it.  20 years later, we have Jean-Michel Basquiat: The Radiant Child, a documentary that incorporates that earlier footage of the soft-spoken iconoclast with new and archival interviews with the people that surrounded Basquiat from as far back as his beginnings as a homeless graffiti artist.

Continue reading

Dallas IFF: Monday (4/12) – ‘My Queen Karo’

Following a winning weekend of films, DIFF charges ahead with new entries and second screenings of many seen in the last few days.  My goal will be to provide commentary on at least one outstanding film a day…I can’t promise just one, and I can’t promise outstanding either, actually, but we’re getting off to a great start:

My Queen Karo is about a young girl’s experiences living with squatters in 1974 Amsterdam.  Karo (Anna Franziska Jaeger) has been taught to believe in sharing everything, but as she settles into a new building with her free-love-espousing, revolutionary father Raven (Matthias Schoenaerts) and more compromising mother Dalia (Deborah Francois), she learns that the problem with anything free is that eventually you lose appreciation for it.  Karo appears to be 10 or 12 years old, and the film is told from her perspective as she observes all of the adult interactions – good and bad -  around her, and must decipher what they mean and who to follow, or emulate.

Continue reading

Dallas IFF: Sunday (4/11) – ‘Lovers of Hate,’ ‘Earthling’

I’m considering calling the 2010 Dallas International Film FestivalInternationale!“, spoken with the exclamation point.  It’s still a mouthful, but it’s fun to say.

“There is something special about every kid.”  “Bulls**t!”

A queasy comedy of disdain, Brian Poyser’s Lovers of Hate is about two brothers and the woman they both think they want.  Rudy (Chris Doubek) is so childish and abrasive that he consumes all the good will around him without returning anything of substance.  Sensitive brother Paul (Alex Karpovsky) is a huge success as an author of children’s fantasy novels that mirror Harry Potter right down to the cartoonish dust-cover artwork.  Diana (the delightful Heather Kafka), disgusted with ex Rudy, has recently thrown him out and decides to meet with Paul at his Tahoe resort.  But neither of them is aware that Rudy has accessed Paul’s condo and is the cause of every uncomfortable or unpleasant moment over the course of their weekend.

Continue reading

Dallas IFF: Saturday (4/10) – ‘No Crossover,’ ‘We Are the Sea,’ ‘American: The Bill Hicks Story,’ ‘The Red Chapel’

DIFF continues strong…

“Allen is the best guy you could want for the 2 hours of the game…for the other 22 hours, you’re going to have grey hair.”

No Crossover: The Trial of Allen Iverson is a deeply personal documentary from director Steve James (Hoop Dreams, Stevie), who reflects on his hometown of Hampton, VA, and the racial divide that occurred following the 1993 arrest of high school “golden child” Iverson.  The star football and basketball player was allegedly involved in a bowling alley brawl that injured several bystanders.  Iverson was sentenced to 15 years, though only served several months at a minimum security “work farm.”

Continue reading

Dallas IFF: Friday (4/9) – ‘City of Life and Death,’ ‘I Am Love,’ ‘Down Terrace,’ ‘The Loved Ones’

A terrific first full day of the 2010 Dallas International Film Festival is capped off with a colossal dud.

Lu Chuan’s City of Life and Death is such a powerful piece of cinema that it is almost unbearable, and I mean that in the best possible way.  Recounting the events of 1937 Nanjing, at the height of the Second Sino-Japanese War, the film portrays action scenes with an immediacy that is striking, atrocities with a detachment that can leave you shaken, and yet still handles heartbreaking intimate moments with a delicate touch.

Continue reading