Denton’s Thin Line Film Festival Starts Tonight: 11 Days of Docs!

Patricio Guzman's 'Nostalgia for the Light' (Thin Line Film Fest)

Our very own all-documentary film festival — to be fair, Denton deserves the credit — starts tonight. Here’s the article I wrote for Twitch:

North of Dallas, Texas, lies the college town of Denton, where more than 100,000 people go to sleep at night, wondering if Bonnie and Clyde will ever return. The 1967 film version of their lives was partially shot in Denton, where the outlaws once hid out. Nowadays, film buffs who are fascinated by real life stories gravitate toward documentaries, and Denton’s own Thin Line Film Fest has a dandy, 11-day program that’s filled with nothing but documentaries. It’s set to start rolling out tomorrow.

To quote from the press release, the fest kicks off Friday night “with the Texas premiere of Battle for Brooklyn with Director and Producer Suki Hawley in attendance. …

“On Saturday, February 11, 2012 at 12:30 pm at the Square Donut Theater, the film Kaziah the Goat Woman will screen. The film is about a woman (Kaziah) who for the last few years has painted works of fallen soldiers to give to their families. Three paintings for two DFW families, who will be in attendance, will be presented to them during the screening on behalf of the artist.

“On Saturday, February 18, 2012 at 7:00p, Brilliant Life tells the story of Barry Weatherall, a plumber who was completely blinded when a chemical mixture exploded in his face. After years of darkness and depression, he discovers new delight in life through outdoor adventure. Both the film’s director, Marilyn Bright, and star will be in attendance.”

The picture above is from Patricio Guzman’s Nostalgia for the Light, which screens on February 16. The doc, from Chile, has received some great reviews; it “travels 10,000 feet above sea level to the driest place on earth, the Atacama Desert, where atop the mountains astronomers from all over the world gather to observe the stars. The sky is so translucent that it allows them to see right to the boundaries of the universe.” Nostalgia for the Light also received a Honorable Mention from our own Ben Umstead as part of his “Best of 2011″ review.

Now in its fifth year, the festival has been steadily growing, expanding its program over more and more days. I’ve had to beg off from attending again this year, due to personal schedule conflicts, but what I like about the fest is that they don’t program the same films that everyone else is programming. There’s a greater focus on films from around the world, instead of just American-centric docs, which also adds to the variety on tap.

The Thin Line Film Fest is a wonderful example of a local festival that seeks to improve and expand every year. It runs through Monday, February 20, with more than 20 filmmakers scheduled to be in attendance, and deserves to be on your radar.

The Thin Line Film Festival starts tonight at various venues; check the official site for much more information.

About these ads

Best of 2011: Peter A. Martin’s Top 10 Films

Michael Shannon in Jeff Nichols' 'Take Shelter' (Sony Pictures Classics)
Michael Shannon in Jeff Nichols' 'Take Shelter' (Sony Pictures Classics)

Michael Shannon in Jeff Nichols' 'Take Shelter' (Sony Pictures Classics)

1. Take Shelter (dir. Jeff Nichols)

In Jeff Nichols’ carefully-composed, immensely powerful, and absolutely riveting ‘Take Shelter,’ Michael Shannon gives a towering performance as Curtis LaForche, a loving husband, doting father, manual laborer, devoted son, and all-around good guy who fears that he may be losing his mind. (Available on DVD and Blu-ray Feb. 14.) My review

2. A Separation (dir. Asghar Farhadi)

Moments. Director / writer Asghar Farhadi understands that life is composed of moments, one following the other. Sometimes those moments lead to wonderful pleasure. Sometimes those moments lead to gut-wrenching tragedy. A married couple’s separation has far-reaching, unexpected consequences in modern-day Iran. (Opens in Dallas on Feb. 3.)

3. Shame (dir. Steve McQueen)

In an extraordinary performance, Michael Fassbender bubbles forth with emotional pain. ‘Shame’ is not based on true events, but it has the powerful veracity of real life, and is all the more powerful for being so realistic and harrowing in its depiction of an all-consuming addiction. (Now playing.) My review.

4. Drive (dir. Nicolas Winding Refn)

The film, a character study dressed in the wrapping paper of a stylish thriller, unfolds like an acid-tipped rose, its petals spitting poison with unsettling, violent flourishes. Ryan Gosling plays an unnamed motorist, a Hollywood stunt driver by day and a getaway driver by night. (Available on DVD and Blu-ray on Jan. 31.) My review.

5. Carancho (dir. Pablo Trapero)

A desperate, exhausted lawyer (Ricardo Darin, superb and moving) might better be described as an ambulance-chaser, but he wants nothing more than to change his life forever. A film noir from Argentina that burns its way into your brain and burrows through the back of your head. (Available on DVD and Blu-ray.)

6. Attack the Block (dir. Joe Cornish)

A British creature feature that combines science fiction with social commentary in a rousing action picture that features a disreputable group of hoodlums as its unlikely heroes. (Available on DVD and Blu-ray.)

7. The Tree of Life (dir. Terrence Malick)

Achingly gorgeous and incredibly confounding, this is nothing less than an attempt to understand grief and loss through a close examination of the meaning of life. It’s an experimental film writ large, with Brad Pitt and Jessica Chastain battling for the souls of their children. (Available on DVD and Blu-ray.)

8. Young Adult (dir. Jason Reitman)

An acutely-observed, acidic character study, ‘Young Adult’ features an outstanding, nuanced performance by Charlize Theron, a strong supporting turn by Patton Oswalt, and the best script yet by Diablo Cody, well-served by Jason Reitman’s direction. It’s a very funny picture, and dead-on in its depiction of a mercurial woman who is just waking up to the idea that she may need to make changes in her life if she ever wants to be happy. (Now playing.) My review.

9. The Descendants (dir. Alexander Payne)

Suffused with sadness and an overwhelming sense of melancholy, ‘The Descendants’ explores yet another corner of Alexander Payne’s United States. It’s a cinematic country notable for the beauty of its landscapes and the exquisite anguish of its inhabitants. (Now playing.) My review

10. Margin Call (dir. J.C. Chandor)

Superior ensemble drama, imagining greedy maneuvering by investment bankers on the eve of the 2008 financial crisis. What price integrity, eh? The film is not terribly interested in the mechanics of financial manipulations; far more fascinating are the decisions made by very intelligent people when presented with the opportunity to make an insane amount of money. (Available on DVD and Blu-ray.)

Best of 2011: John P. Meyer’s Top 10 Films

dfn-incredibly-loud-750-1

Thomas Horn and Tom Hanks in 'Extremely Loud & Incredibly Close'

1. Extremely Loud & Incredibly Close (dir. Stephen Daldry)

Movingtouchingendearing, and all those other adjectives that describe how a movie affects us profoundly apply to this post-traumatic stresser about a family dynamic put on hold after the horrific events of 9/11. It’s also a crackerjack mystery story, played out against the backdrop of New York City and its polyglot denizens. Full of terrifying realities, challenging truths, and cathartic outcomes. Youngster Thomas Horn and oldster Max von Sydow shine brightly. (Opens in Dallas on Jan. 20.)

2. Midnight in Paris (dir. Woody Allen)

I can’t tell you how wonderful it is to find Woody returning to the sort of manic tomfoolery he orchestrated so well in his “early, funny stuff” days. This madcap time traveling romance — complete with appearances by Ernest Hemingway, Cole Porter, Zelda and F. Scott Fitzgerald and Pablo Picasso — is a pure delight to watch. (Available on DVD and Blu-ray.)

3. Win Win (dir. Thomas McCarthy)

Leave it to offbeat genius writer/director McCarthy (The VisitorThe Station Agent) to turn the story of a high school wrestling coach and his unlikely protege into the most heartwarming odds-against sports drama of the year. It’s also an odds-against family drama, one that will leave you with a great big smile on your face when you walk away from the theater. (Or, at this point, I suppose, the DVD player.) (Available on DVD and Blu-ray.)

4. Melancholia (dir. Lars von Trier)

Hands-down the most visually arresting movie of the year and one of the most thematically disturbing — starting with its first several minutes, during which we see a woman in bridal regalia running in extreme slow motion across a golf course, while vines appear to be pulling against her. Before this Wagner-accompanied sequence is done, we’ll see one planet collide with another. And wait ’til you meet the wedding guests! (Now playing.)

5. The Artist (dir. Michel Hazanavicius)

Given the level of contrivance employed in its production (black & white cinematography; silent, subtitled dialog), this movie should never have worked. But we leave it feeling ennobled instead of manipulated, thanks to a good-hearted script and illuminating performances by a pair of international actors with whom we were previously unfamiliar (Jean Dujardin and Bérénice Bejo). Simply charming.  (Now playing.)

6. War Horse (dir. Steven Spielberg)

Spielberg-style sentiment at its most epic, here applied to the heartwarming tale of a boy and his horse. Throw in an ill-fated cavalry charge (mounted swordsmen against machine guns), a lonely girl living in the countryside with her grandfather (shades of Heidi), and quiet on the western front (the trenches in WWI) and you’ve got yourself a horse story for the ages. (May be too intense for younger colts.)  (Now playing.)

7. Hanna (dir. Joe Wright)

I can’t tell if I’m more impressed with Saoirse Ronan as a bio-engineered killer adolescent, Cate Blanchett as a bleeding-gums control-freak villain, or The Chemical Brothers for constructing the most whimsical score ever for a Bourne-like thriller that never lets up from start to fabulous finish. (Available on DVD and Blu-ray.)

8. Beginners (dir. Mike Mills)

Ewan McGregor quietly underplays one of the sweetest and most affecting roles of his career as an emotionally stunted fellow whose father (played by the great Christopher Plummer) embraces his gayness just as he’s coming to terms with a grim medical diagnosis. Mélanie Laurent charms as the woman who threatens to break the ice composing Oliver’s (McGregor’s) lonely shell. Best talking dog movie ever. (Available on DVD and Blu-ray.)

9. Crazy, Stupid, Love (dir.s Glenn Ficarra, John Requa)

Don’t be fooled by its comedic trappings: This relationship-savvy romantic drama has more heart (and intellect!) than most of the “serious” films that released this year. Steve Carell demonstrates why his brand of funny ought to be patented, while Ryan Gosling builds on his “actor who excels at everything” credentials. Emma Stone’s portrayal of the hopeful, courageous Hannah is irresistible. (Available on DVD and Blu-ray.)

10. Contagion (dir. Steven Soderbergh)

From beginning to end, this multi-threaded chronicle of the relentless spread of an infectious virus commands our attention — and gives us pause to wonder whether a scenario like this might actually be in the cards for the oh-so-cosmopolitan human community that we have become (for good and — in terms of this story — ill). Terrifying and fascinating “what if” stuff, expertly presented. (Available on DVD and Blu-ray Jan. 3.)

SXSW 2011: Roundup

SXSW 2011
SXSW 2011

SXSW 2011

Here’s all my coverage of SXSW 2011, wrapped up in one tidy post for your perusal and/or disdain. I’m hoping for the former, because I’m a positive kind of guy.

REVIEWS

SXSW 2011: SOURCE CODE Review (Twitch)

SXSW 2011: LITTLE DEATHS Review (Twitch)

SXSW 2011: LBF Review (Twitch)

SXSW 2011: THE INNKEEPERS Review (Twitch)

SXSW 2011: KILL LIST Review (Twitch)

SXSW 2011: THE DIVIDE Review (Twitch)

SXSW 2011: PHASE 7 Review (Twitch)

SXSW 2011: THE BEAVER Review (Twitch)

‘You Instead’ SXSW Review: Music, Romance and Handcuffs (Cinematical)

INTERVIEWS

SXSW 2011: Sean Hogan and Simon Rumley Talk LITTLE DEATHS (Twitch)

SXSW 2011: Simon Pegg, Nick Frost and Greg Mottola Talk PAUL (Twitch)

FEATURE (OVERVIEW)

SXSW 2011: Reviewing All the Fantastic Midnight Movies (Cinematical)

NEWS

SXSW 2011: Ethereal Short Film COOL BLUE to Debut in MEDIUM COOL (Twitch)

SXSW 2011: IFC Midnight Picks Up KILL LIST (Twitch)

Dallas IFF: Sunday (4/18) – ‘Casino Jack,’ The Big Wrap-Up!

This slideshow requires JavaScript.

Ah, the runner stumbles even in film review.  After what had been an almost perfect week of movie choices at the 2010 Dallas International Film Festival, I found myself wondering what had happened in those final moments, as I closed out my experience with one of the biggest (and most surprising) failures of the fest.

Perhaps I should have known it couldn’t be that good.  DIFF had played out like something from a dream, cinematically:  I had very little foreknowledge of most of the films I saw, yet was absolutely blown away by a large majority, which just doesn’t seem statistically possible.  The few films I felt didn’t cut it were at least well-made.  The science-fiction tale Earthling just didn’t know how to explain away its promising theories, and felt awkward in its execution despite a great sense of unease that recalled Lynch and Cronenberg.  And the grueling you-won’t-go-to-the-prom-with-me-so-I’ll-drill-a-hole-in-your-head horror film The Loved Ones just became so deadening in its relentless monotony that you wished the amusing subplot would have gotten more screen time.

Continue reading

Dallas IFF: Thursday (4/15) – ‘Obselidia’

“With new things becoming old in months instead of years, I just want to slow things down a bit.”

George’s speech and manner make him seem like someone from a different era; that he works as a librarian but spends his days cataloging things that are obsolete might make him seem like a kook.  George is as committed to his “Encyclopedia of Obsolete Things” as someone else might be to writing poetry or maintaining a garden.  Like George, writer/director Diane Bell’s Obselidia meanders quietly, but with a purpose, and ultimately provides a sweetly endearing look at a man who believes “love is obsolete” even though it seems fair to say he’s never experienced it.

Continue reading

Dallas IFF: Wednesday (4/14) – ‘Lemmy’

DIFF begins down the final stretch, and it just gets better every day.

“I’m not qualified to do anything else.”

Greg Olliver and Wes Orshoski’s documentary on Motorhead front man Ian “Lemmy” Kilmister is not so much a fully-realized personal history or detailed portrait as much as an intense love fest.  Lemmy takes a tour of the heavy metal driving force’s more mundane routines – shopping, doing interviews, playing his favorite games at local bars and casinos – before diving into a brief look at former bands he played with and current concert footage.  But most of its runtime is filled with musicians, singers, actors, roadies and fans telling us how great he is and what an influence he’s been.  At 63, Lemmy has outlived most of his friends and continues to provide a raw honesty that blows away nearly everyone else in the business.

Continue reading

Dallas IFF: Tuesday (4/13) – ‘Jean-Michel Basquiat: The Radiant Child’

Director Tamra Davis’ early works may have included music videos and films like Billy Madison and Half-Baked, but it turns out her passion project was always nearby, tucked away in a drawer:  a feature-length interview with her friend, artist Jean-Michel Basquiat.  Just months before his death, Davis filmed the painter in a casual setting, talking with him about his life, influences and his perceptions of the art world.  After his passing, she put the film away and forgot about it.  20 years later, we have Jean-Michel Basquiat: The Radiant Child, a documentary that incorporates that earlier footage of the soft-spoken iconoclast with new and archival interviews with the people that surrounded Basquiat from as far back as his beginnings as a homeless graffiti artist.

Continue reading

Dallas IFF: Monday (4/12) – ‘My Queen Karo’

Following a winning weekend of films, DIFF charges ahead with new entries and second screenings of many seen in the last few days.  My goal will be to provide commentary on at least one outstanding film a day…I can’t promise just one, and I can’t promise outstanding either, actually, but we’re getting off to a great start:

My Queen Karo is about a young girl’s experiences living with squatters in 1974 Amsterdam.  Karo (Anna Franziska Jaeger) has been taught to believe in sharing everything, but as she settles into a new building with her free-love-espousing, revolutionary father Raven (Matthias Schoenaerts) and more compromising mother Dalia (Deborah Francois), she learns that the problem with anything free is that eventually you lose appreciation for it.  Karo appears to be 10 or 12 years old, and the film is told from her perspective as she observes all of the adult interactions – good and bad -  around her, and must decipher what they mean and who to follow, or emulate.

Continue reading

Dallas IFF: Sunday (4/11) – ‘Lovers of Hate,’ ‘Earthling’

I’m considering calling the 2010 Dallas International Film FestivalInternationale!“, spoken with the exclamation point.  It’s still a mouthful, but it’s fun to say.

“There is something special about every kid.”  “Bulls**t!”

A queasy comedy of disdain, Brian Poyser’s Lovers of Hate is about two brothers and the woman they both think they want.  Rudy (Chris Doubek) is so childish and abrasive that he consumes all the good will around him without returning anything of substance.  Sensitive brother Paul (Alex Karpovsky) is a huge success as an author of children’s fantasy novels that mirror Harry Potter right down to the cartoonish dust-cover artwork.  Diana (the delightful Heather Kafka), disgusted with ex Rudy, has recently thrown him out and decides to meet with Paul at his Tahoe resort.  But neither of them is aware that Rudy has accessed Paul’s condo and is the cause of every uncomfortable or unpleasant moment over the course of their weekend.

Continue reading