Indie Weekend: ‘Sightseers,’ ‘The Iceman,’ ‘Scatter My Ashes,’ ‘Black Rock,’ ‘Koch,’ ‘Erased’

Ben Wheatley's 'Sightseers' (IFC Films)

Ben Wheatley’s ‘Sightseers’ (IFC Films)

Half a dozen new indie releases compete for attention this weekend, May 17-19:

  • Sightseers. A black comedy about an English couple who take a trip to the countryside that turns murderous. I think so highly of Ben Wheatley’s first two films, Down Terrace and Kill List, that I believe a blind recommendation is warranted. Not previewed. (Landmark Magnolia)
  • The Iceman. Michael Shannon gives a powerhouse performance as a cold-blooded killer / family man. With Ray Liotta and Winona Ryder; directed by Ariel Vroman. Recommended with reservations. Reviewed here. (Angelika Dallas, Angelika Plano)
  • Scatter My Ashes at Bergdorf’s. Ostensibly a documentary, this plays like an advertorial for rich people who love high-fashion clothing. Directed by Michael Miehle. Not recommended. Reviewed here.  (Angelika Dallas)
  • Black Rock. Three women travel to a deserted wilderness island to relax and reconnect, but an unexpected encounter with three war veterans turns into a weekend of terror. With Kate Aselton, Lake Bell, and Kate Bosworth; directed by Aselton. Not previewed. (Angelika Plano)
  • Koch. Former New York City Major Ed Koch is profiled. Not previewed. (Angelika Dallas)
  • Erased. Aaron Eckhart and Olga Kurylenko star in an action thriller. Not previewed. (Cinemark Hollywood USA)

Opening in wide release:

  • Star Trek Into Darkness. The continuing adventures of the Starship Enterprise; this time, the crew is pitted against an implacable foe (Benedict Cumberbatch). Chris Pine, Zachary Quinto, Zoe Saldana, John Cho, Karl Urban, Anton Yelchin, and Simon Pegg return, joined by Peter Weller and Alice Eve. Directed by J.J. Abrams. Recommended. Reviewed here.
About these ads

Indie Weekend: ‘No Place on Earth,’ ‘Midnight’s Children,’ ‘Source Family,’ ‘Star Trek II’

'No Place on Earth' at Angelika Dallas

‘No Place on Earth’ at Angelika Dallas

New indie releases and special screenings of note this weekend:

  • No Place on Earth documents “the untold story of thirty-eight Ukrainian Jews who survived World War II by living in cold, damp caves for eighteen months.” (Angelika Dallas)
  • Midnight’s Children. Salman Rushdie adapted his own novel and narrates “a lushly visual epic about two boys who are switched at birth and forever marked by history.” Directed by Deepa Mehta. (Angelika Dallas)
  • The Source Family. “The Source Family’s outlandish lifestyle, popular celebrity-hangout restaurant, rock band, and beautiful women made them the darlings of Hollywood’s Sunset Strip; but their outsider ideals, controversial spiritual leader Father Yod, along with his 13 wives, instigated local authorities. They fled to Hawaii, leading to their dramatic demise.” (Texas Theatre)
  • Star Trek II: The Wrath of Khan. The first sequel picked up the pace with an exciting and personal story of treachery and revenge. In 35mm. (Texas Theatre)
  • Upstream Color, the new film by Shane Carruth, has perplexed and divided critics and audiences since it debuted at Sundance. Now available on DVD and Blu-ray.

Opening in wide release:

  • The Great Gatsby. Leonardo DiCaprio and Carey Mulligan star in Baz Luhrmann’s resplendent, scintillating version of F. Scott Fitzgerald’s bestselling novel. Recommended with reservations. (Reviewed here.)
  • Peeples. Tina Gordon Chism wrote and directed this alleged comedy, starring Craig Robinson, Kerry Washington, and David Alan Grier. Not previewed.

Steven Spielberg Will Direct ‘American Sniper’ With Bradley Cooper As Chris Kyle

Actor Bradley Cooper and director Steven Spielberg attend the 18th Annual Critics' Choice Movie Awards held at Barker Hangar on January 10, 2013 in Santa Monica, California.  (Photo by Larry Busacca/Getty Images for BFCA)

Bradley Cooper and Steven Spielberg attend the 18th Annual Critics’ Choice Movie Awards held at Barker Hangar on January 10, 2013 in Santa Monica, California. (Photo by Larry Busacca/Getty Images for BFCA)

Steven Spielberg will direct American Sniper, based on the autobiography of Chris Kyle, a Navy SEAL (and Texas native) who became a military assassin and recorded more kills than any other American. Bradley Cooper has been developing the project; he will serve as a producer and play the title role. Jason Hall has completed a script, and production is tentatively scheduled to begin early in 2014.

Born in Odessa, Kyle enlisted with the U.S. Navy in 1999 and served four tours of duty. He was wounded in service twice and was awarded the Bronze and Silver Star medals multiple times. He was honorably discharged in 2009 and wrote about his experiences in American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History, which became a bestseller after its publication in January 2012. He was shot and killed by a fellow military veteran he was endeavoring to help in February of this year.

Cooper’s production company acquired the big-screen rights to the book in May 2012. He received an Academy Award nomination as Best Actor for his performance in David Russell’s Silver Linings Playbook, losing out to Daniel Day-Lewis in Lincoln, directed by Spielberg. He is currently filming Russell’s followup, American Hustle, which is due out at the end of the year; it’s based on the ABSCAM scandal of the late 70s / early 80s. He will next be seen in The Hangover Part III, heading to theaters on May 24.

As for Spielberg, he put production for science-fiction action-thriller Robopocalypse on hold in January of this year, stating that he “found a better way to tell the story more economically but also much more personally. .. I’m starting on a new script and we’ll have this movie back on its feet soon… I’m working on it as we speak.” Theoretically, Spielberg could finish up work with the writer(s) on the script for Robopocalypse and then move on to American Sniper. Or he could just leave the robo-action flick for another director to pursue.

Spielberg has not tackled anything approaching contemporary life — without a fantasy or science-fiction angle — since the beginning of his career. (The Terminal (2004) was set in the modern day, but that verges on fantasy territory.) His first feature, The Sugarland Express (1974), was inspired by a true incident and was set in Texas, following a husband and wife who kidnap first their infant son and then a police officer; they end up pursued by dozens of law enforcement officers across the state of Texas (toward Sugarland, of course).

Though I haven’t read Kyle’s book, it evidently spends a fair amount of time with his wife as she deals with his military career and the strains that it places on their relationship. The book is 448 pages in paperback, so obviously big chunks will have to be condensed or omitted for the big screen, as always, so it will be fascinating to see what it is, in particular, about Kyle’s story that has drawn Spielberg. Clearly he has respect for the military, so that’s not an issue, but can he get out of his own way, as a director, as he tried to do with last year’s Lincoln?

If all goes well, American Sniper could be heading to theaters in late 2014.

Source: The Hollywood Reporter. Portions of this article originally appeared in somewhat different form at Twitch.

Indie Weekend: ‘Reality,’ ‘Renoir,’ ‘Reluctant Fundamentalist,’ ‘Kon-Tiki’

Matteo Garone's 'Reality,' at Angelika Dallas.

Matteo Garone’s ‘Reality,’ at Angelika Dallas.

New indie releases and special screenings of note this weekend:

  • Reality. Italian filmmaker Matteo Garrone turns his perceptive lens from organized crime (Gomorrah) to reality television in his latest effort, described as a darkly comic piece. In Italian with English subtitles. (Angelika Dallas)
  • Renoir. In 1915, the great painter Pierre-Auguste Renoir and his son, filmmaker Jean Renoir, fall for the same woman, an enchanting artist’s model. In French with English subtitles. (Angelika Dallas, Angelika Plano).
  • The Reluctant Fundamentalist. A drama about ‘the cultural divide that cracks open’ between a Pakistan man (Riz Ahmed) and an American woman (Kate Hudson) after 9/11. Directed by Mira Nair. (Landmark Magnolia)
  • Kon-Tiki. A modern adventurer attempts to recreate the 1947 voyage of Norwegian explorer Thor Heyerdahl across the Pacific Ocean. Nominated for an Academy Award for Best Foreign Language Film. (Angelika Dallas)
  • Upstream Color, the new film by Shane Carruth, has perplexed and divided critics and audiences since it debuted at Sundance. Continuing in limited release. (Angelika Dallas, Texas Theatre)

Opening in wide release:

  • Iron Man 3. Robert Downey Jr. returns as the Marvel superhero, this time opposed by The Mandarin (Ben Kingsley). With the usual gang.

Indie Weekend: ‘Mud,’ ‘Days of Heaven,’ ‘Starbuck,’ USA Film Festival

Terence Malick's 'Days of Heaven,' at the Texas Theatre

Terence Malick’s ‘Days of Heaven,’ at the Texas Theatre

The 43rd annual USA Film Festival kicked off this past Wednesday night and continues through the weekend at Angelika Dallas. Visit the official site to download the complete program. (I’m hoping to see John Carpenter’s They Live and Soi Cheang’s Motorwayreview for the latter at my sister site A Better Tomorrow.) Other new indie releases and special screenings of note this weekend:

  • Mud. The new film by Jeff Nichols (Take Shelter) features Matthew McConaughey. It’s the best American film I’ve seen this year. In limited release. Reviewed here.
  • Starbuck. “As his lover announces her pregnancy, a fortysomething slacker receives other life-changing news: 142 people, all of them the result of artificial insemination, have filed a class action lawsuit against him, their biological father.” In French with English subtitles. (Landmark Magnolia).
  • Upstream Color, the new film by Shane Carruth, has perplexed and divided critics and audiences since it debuted at Sundance. Continuing in limited release. (Angelika Dallas, Angelika Plano, Texas Theatre)
  • Days of Heaven. Presented in 35mm, Terence Malick’s glorious classic should be a perfect companion piece, I would imagine, for Upstream Color. Then go see Mud. (Texas Theatre)

Opening in wide release:

  • Pain & Gain, reviewed here.
  • The Big Wedding. An ensemble comedy, from the director of Going Greek. Not previewed.

Indie Weekend: ‘Upstream Color,’ ‘From Up on Poppy Hill,’ ‘Chasing Ice,’ ‘To the Wonder’

Shane Caruth and Amy Seimetz in 'Upstream Color'
Shane Caruth and Amy Seimetz in 'Upstream Color'

Shane Caruth and Amy Seimetz in ‘Upstream Color’

In the brief interval between the Dallas International Film Festival and the USA Film Festival, multiple indies compete for attention.

  • Upstream Color, the new film by Shane Carruth, has perplexed and divided critics and audiences since it debuted at Sundance. Carruth will be on hand at the Angelika Dallas on Friday and Saturday following the 8 p.m. screenings for Q& A sessions, and will also introduce the 10:25 p.m. screenings each night; he will also be present on Sunday following the 5:25 pm. screening. (Angelika Dallas, Angelika Plano)
  • From Up on Poppy Hill  is the latest animated feature from famed Studio Ghibli. Reviews have been generally favorable, though not wildly enthusiastic. (Landmark Magnolia)
  • Chasing Ice  is a documentary that follows “National Geographic photographer James Balog across the Arctic as he deploys time-lapse cameras designed for one purpose: to capture a multi-year record of the world’s changing glaciers.” Advance reviews have been quite positive. (Texas Theatre)
  • To The Wonder has fewer critical champions that Terence Malick’s other recent non-narrative opuses, so a long theatrical run is not anticipated. Still, it’s Malick. Ben Affleck, Olga Kurylenko, and Rachel McAdams star. (Angelika Dallas)

Opening in wide release:

Indie Weekend: ‘Promised Land,’ ‘Rust and Bone,’ ‘Barbara’

Matt Damon in 'Promised Land'
Matt Damon in 'Promised Land'

Matt Damon in ‘Promised Land’

A light release schedule for the end of the year, but this trio of indies holds great promise.

  • Promised Land. Matt Damon stars as a high-powered fracking salesman for a mighty corporation. Damon co-wrote the far too schematic and manipulative script with John Krasinski, who co-stars as an environmental activist. In this pre-fab world, all corporations are Evil and the little guy is always pure in heart — except when he’s not. It’s earnest, sincere, and altogether unconvincing. The issue of fracking deserves a better, more layered treatment. Gus Van Sant directs in straightforward manner; the film’s best assets are the fine supporting performances by Frances McDormand and Hal Holbrook. (AMC NorthPark)
  • Rust and Bone.  Another highly-acclaimed drama from director Jacques Audiard, this drama follows the romance between Marion Cotillard and Matthias Schoenarts; she’s lost her legs in an accident, and he’s an impoverished single father. (Angelika Dallas)
  • Barbara. Nina Hoss continues her collaboration with director Christian Petzold in Germany’s submission for the Best Foreign Language Film Academy Award. She plays a doctor in 1980s East Germany who applies for an exit visa and is promptly banished to a rural community, where she falls in love and questions her future. (Angelika Dallas)

Recently opened in wide release:

  • Django Unchained. Quentin Tarantino riffs on slavery in his most openly comic movie to date, albeit one with his usual devotion to the n-word and other profanity, as well as a more-than-generous helping of blood and excessive violence. He mixes 30s plantation dramas with 60s Westerns and 70s blaxploitation, drawing equal inspiration from Sergio Leone, Sergio Corbucci, and Fred Williamson. It’s lesser Tarantino, but still far more entertaining than most multiplex fare.
  • Les Miserables. Not being a fan of the Broadway musical or its plaintive songs, I found the histrionic dramatics to be unearned and the talking/singing/growling/mewling of Russell Crowe, Hugh Jackman, Sacha Baron Cohen, and company to be excessively “actorly.” Tom Hooper’s in-your-face direction merely calls attention to itself, without any particular style or rhythm. Anne Hathaway, Eddie Redmayne, Samatha Burke, and Amanda Seyfried fare the best, but this is a musical best appreciated by those who have already memorized the songs.

Coming Soon: ‘The Impossible,’ ‘Zero Dark Thirty’

Naomi Watts in 'The Impossible'
Naomi Watts in 'The Impossible'

Naomi Watts in ‘The Impossible’

LIMITED RELEASE

01/04: ‘The Impossible’ (AD)
01/11: ‘Quartet’ (AD)
01/11: ‘Zero Dark Thirty’ (AD)
01/18: ‘Amour’ (LM)
01/18: ‘On the Road’ (LI)
01/25: ‘West of Memphis’ (AD)

WIDE RELEASES
01/04: ‘Texas Chainsaw 3D’
01/11: ‘Gangster Squad’
01/11: ‘A Haunted House’
01/18: ‘Broken City’
01/18: ‘The Last Stand’
01/18: ‘Mama’
01/25: ‘Hansel and Gretel: Witch Hunters’
01/25: ‘Movie 43′
01/25: ‘Parker’

THEATERS
AD: Angelika Dallas
AP: Angelika Plano
C17: Cinemark 17
CWP: Cinemark West Plano
G30: AMC Grapevine Mills 30
LI: Landmark Inwood
LM: Landmark Magnolia
NP: AMC NorthPark 15
TT: Texas Theatre

Check Dallas showtimes via Google

Indie Weekend: ‘Anna Karenina,’ ‘Life of Pi,’ ‘Silver Linings Playbook’

Jennifer Lawrence and Bradley Cooper in 'Silver Linings Playbook'
Jennifer Lawrence and Bradley Cooper in 'Silver Linings Playbook'

Jennifer Lawrence and Bradley Cooper in ‘Silver Linings Playbook’

Only one new indie film is opening this week, but two of the wide releases felt very indie to me, so I’m grouping these three together, mainly because these are ones that I’ve seen.

  • Anna Karenina, the latest screen version of Leo Tolstoy’s classic of Russian literature, gets a highly-stylized, heightened theatrical treatment from director Joe Wright, a period specialist who seems to have been invigorated by making last year’s stylish action thriller Hanna. Filled with beauty and refreshing ideas that endeavor to bring modern meaning to a tragedy, not everything in the film works — it gets bogged down midway through — but the purity of the performances, led by Keira Knightley, allow the naked emotions to shine through. (Landmark Magnolia, Angelika Plano)
  • Life of Pi  does not take place entirely at sea — the first act safely sets up the action from a land-based perspective — but it does seem to be entirely about the spiritual journey of a young man who embraces three of the world’s so-called “major” religions, and whose faith is then put to the test when he is shipwrecked at sea, the sole survivor of a tragedy that claims the lives of his close-knit family. He is stranded on a lifeboat in the company of a (completely computer-generated) Bengal tiger, which means that he spends a considerable amount of time racking his brain, trying desperately to stay alive. Augmented by wide-eyed optimism and — there is no other description that fits — visual effects that are magical, the young man’s journey becomes our own. Perhaps the highest compliment I can pay the film is that it feels very much at home as part of director Ang Lee’s ouevre. (In wide release)
  • Silver Linings Playbook threatens initially to give people who suffer from Bipolar Disorder a bad name. Bradley Cooper is too nervously mannered to ever be entirely convincing as the Crazy Dude Who Drives Everyone Else Crazy, but Jennifer Lawrence is outstandingly nuanced as a potential paramour, and Robert De Niro makes the most of his best role in years. David O. Russell remains a better director than writer. (In wide release)

Also opening in wide release:

  • Red Dawn, a remake of John Milius’ 1984 celebration of jingoism in the Reagan Era, has been described as a victim of MGM’s financial troubles, which left it rotting in a vault for a couple of years. But trusted friends who have seen it have confided that it should have been lost and/or destroyed; for one thing, the Asian invaders were changed from Chinese to Korean during the interim waiting period out of fear of losing the Mainland China market, or some-such nonsense. No thanks.
  • Rise of the Guardians is an animated film that mixes popular characters like Santa Claus and the Tooth Fairy with less-familiar heroes like Jack Frost. Chris Pine, Alec Baldwin, Jude Law, Isla Fischer, and Hugh Jackman provide their celebrity voices. Advance reviews have been mixed, at best.

Indie Weekend: ‘Holy Motors,’ ‘A Royal Affair,’ ‘The Other Son’

Denis Levant in Leos Carax's 'Holy Motors'
Denis Levant in Leos Carax's 'Holy Motors'

Denis Levant in Leos Carax’s ‘Holy Motors’

What is, in my opinion, the best movie of the year opens this weekend. And, no, it’s not the one with the glittering vampires.

  • Holy Motors will infuriate and/or bore some, no doubt, but I was enchanted, moved, and fascinated by a day in the life of a man hired to play different roles throughout the course of a long day. Consider this episodic fable a comedy, a drama, a farce, a fantasy, a bold and ambitious failure, or the best film of the year. (Landmark Magnolia)
  • A Royal Affair features a starring performance by the great Mads Mikkelsen as a German doctor who becomes personal physician and advisor to the Danish king; complications ensue when he discover that is more sympatico with the Queen, more morally and physically. A historical romance, as they say. (Angelika Dallas)
  • The Other Son sets its tried-and-true story of sons switched at birth in the Middle East, which immediately gives it greater gravity and timeliness than one might otherwise anticipate. Directed by Lorraine Levy. (Angelika Plano)

This may be a good weekend to catch up with other limited releases still playing, or you may wish to indulge your latent Spielberg-mania at the multiplex.

Opening in wide release:

  • Lincoln, the new film by Steven Spielberg, is said to be a talk-fest with a spellbinding performance by Daniel Day-Lewis as the 16th President of the United States. Having missed about a dozen press screenings, I have no excuse, but it is Spielberg and it is Day-Lewis, so that makes it pretty much essential viewing in a theater.
  • The Twilight Saga: Breaking Dawn – Part 2 is the final installment of the love story between a human teenager and an ancient glittery vampire; if that’s your thing, enjoy! For those who plan to attend in order to support their partner, I’ve heard that the final, violent battle sequence will wake you up.